Tuesday, May 31, 2011

Million Dollar Decorators: Episode 1


Mary McDonald and Nate Turner arrive for Kathryn Ireland's birthday party bearing quite a cake!

Okay, so my initial thoughts on MDD Episode 1: These designers all took an incredibly huge risk in doing this show. They risk looking unprofessional, ungrateful and unkempt. On the other hand, how many of us, when under considerable stress, would look and act great with cameras trailing around after us 100% of the time? When I blogged on Bravo's Top Design, the designers on those shows had relatively little public profile - the were all professionals, but not quite big names either. Twitter and FB didn't play a big role, but this time, the people tweeting and commenting are a highly professional and dedicated group of professional designers (some with as big, or bigger careers than those on the show). And, the initial commentary is a very mixed bag indeed.  Many negative comments were flying via public tweet and private message. These shows are produced because they are dramatic and there's big business in drama. Mix the drama with celebrity (Sharon Osborn plays a big role in epi 1) and million dollar budgets and BravoTV is in pig heaven. Professional designers all seem a bit leary - will this make the rest of us look bad? Will the long held negative stereotypes of our industry (stereotypes regarding blown budgets, overbearing decorators and clients not getting what they want) be reinforced? Or, will we see real people, warts and all, just trying to satisfy a demanding clientele? After all, Sharon O seemed completely unfazed at making Martyn Lawrence Bullard completely decorate a new apartment in a matter of days. And, one wonders, what other client's work was pushed aside in order to accomplish this feat? Time will tell. Would love to hear your thoughts.

Meanwhile, here's a round up of places to go to hear what others are saying:

Tweet-a-palooza! 
There were three tweet hashtags going on during episode one. A little crazy, but some of the best commentary comes in less than 140 characters. I highly recommend using TweetChat.com because it makes following all the aggregated tweets so much easier, plus, it appends the hashtag on automatically.

#mddbravotv (the one I use) http://tweetchat.com/room/mddbravotv
and 

Mary McDonald is shocked that her clients are getting a divorce and are selling the house that MM not only decorated, but also considers her own.

Some of my favorite tweets: 
@amandawaas: Here's a tip: never let anyone with the word "teen" in their age plan a party. All you'll end up with is a bag of Fritos and tears. #mdd -11:21 PM May 31st, 2011

Whitney A. Westbrook


In others' words: recaps from the blogosphere: (this section may be added to throughout the week, so check back!)

Design Blahg - THE funniest captions
Raina Cox on Curbed offers her designers' eye and knows the difference between Eames and van der Rohe, unlike a certain $$$$$$$$$ decorator 

Will you be back for Episode Two?


Who is your favorite designer so far?
Kathryn M. Ireland
Mary McDonald
Martyn Lawrence Bullard
Jeffrey Alan Marks
Nate Turner

  
pollcode.com free polls
 
Who was your favorite non-designer charachter?
Ross Cassidy (JAM's bf and assistant)
4 pug dogs (Mary McD's)
Kathryn Ireland's French Housekeeper
Kathryn Ireland's sons
Sharon Osborne

  
pollcode.com free polls



If you would like my help on your design project, I would love to chat with you! Please email me. Thanks!

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New R. Scott Bakker Interview (part 1)


After finishing R. Scott Bakker's The White-Luck Warrior (Canada, USA, Europe), I knew that we would have to do another Q&A. Teaming up with me this time around were Larry (www.ofblog.blogspot.com) and Adam (www.thewertzone.blogspot.com). This was another fun gig!

Many thanks to Bakker, who as always is very forthcoming and thoughtful with his answers.

As the title implies, this is the first part of a longer interview. Bakker couldn't get to the questions from fans before my Eastern European adventure, so those questions will have to wait for a few weeks. Since it has to do with a lot of metaphysical stuff for hardcore fans, it just might be better that way, after all.

Enjoy!
--------------------

- You seem quite pleased with the way THE WHITE-LUCK WARRIOR has been received thus far. Did Overlook and Orbit market this one differently than its predecessor, or has the novel just built on the wave created by THE JUDGING EYE?

There’s as many answers to this question as there readers of the series. One of the factors, I think, has to do with the difficulty of The Thousandfold Thought. Combined with the delay, many readers took their time moving onto The Judging Eye, so there was no real sales bump you often see in fantasy series. Then of course there was the fiscal crisis... Dark fiction generally doesn’t fare that well during dark days.

The bottomline is that I’m walking a tightrope with this series, balancing what I think is a celebration of the high fantasy genre with various staples of literary fiction in what I think are novel and interesting ways. It’s a rich and heady brew, and it’ll take time, I think, to move through the cultural gut. My agent worries. My wife worries. I’ve actually been offered substantial sums to abandon the series!

And I always say, "Wait... wait until its done. Then you’ll see." The catechism of the Wishful Thinker, perhaps.

Perhaps the response to The White-Luck Warrior is the first glimmer... Who knows? Hopefully people keep talking.

- THE JUDGING EYE was your most accessible book to date, yet many hardcore fans bemoaned the absence of your "spending too much time knocking around in your characters’ heads." In that regard, THE WHITE-LUCK WARRIOR seems to be a return to what made the Prince of Nothing so distinctive. Was that a conscious decision, or did the narrative simply demand such a return to form?

I’m always tweaking, of course, especially while working on revisions, but I think this as much a function of the story as anything else. I still think there’s too much unmotivated interiority in The Prince of Nothing, points where I wallow in this or that perspective for the sake of exploring this or that nuance of character–nuances, which, frankly, strike all but the most careful readers as bald repetition. So in The Thousandfold Thought, for instance, I was bent on exploring the fingerprint, down to the trough and whorls, of religious submission to another. This angle and that. Spin it this way, articulate it that. I see it as a meditation on some very curious facts regarding power and passion, and I indulged myself, saying, ‘Well, if they’ve followed me this far...’

‘This far,’ I now think, was ‘too far.’ All along I wanted to write an epic fantasy that rewards careful reading, the kind of scrutiny generally reserved for so-called ‘literary texts.’ A fantasy that wouldn’t be ‘ruined’ by a literature PhD, let alone a BA. At the same time I wanted to write an epic fantasy that rewards casual reading as well–to literally have it both ways. This is the tightrope. The temptation for me would be scoff at the casual readers, upbraid them for not being ‘careful enough.’ But the failure is mine: I’m the one who set the task of writing something that works at multiple levels of resolution, so it would be dishonest to simply jump from the one to the other depending on the charge. I need to have both to satisfy my own yardstick.

This is why I like to think I’ve been much more careful in The White-Luck Warrior, dipping into the souls of my characters, yes, but with more an eye for advancing the story. The nuances are all still there, and I’m sure many will bitch about ‘getting it the first time,’ but not quite so many, and I’ll take that as a measure of progress.

Otherwise, I think the book has more than enough hysterical psychodrama to please the navel porn junkies out there.

- Why was the original title, THE SHORTEST PATH, ultimately dropped and changed to THE WHITE-LUCK WARRIOR?

I was never quite happy with The Shortest Path, and I always liked The White-Luck Warrior, more so once the structural parallels to The Warrior-Prophet became increasingly apparent. I love blurs, the way repetitions, twisted through the lens of changing contexts, create resonances and ambiguities.

- What's the basic timeline we can expect for the release of your next few books? I understand there is a "Can-Lit" novel that will be released in the near future? What can you tell us about that novel?

We were working on a deal that would have seen Light, Time, and Gravity published this fall, but unfortunately, things didn’t work out. A couple years back I took this recipe I had been using to spoof CanLit (up here on the boreal fringe of the United States, we’re forced to subsidize culture to convince ourselves we’re more than just Americans who think they’re better than Americans) and used it to pitch a project to the Canada Council, an institution notorious for high-brow bigotry. And lo, I received a cheque for twenty G’s in the mail a few months later. Loathe to part with the money, I decided to actually write the book.

The idea is the same: embrace the genre, then stuff it with as much craziness as I can get away with. When you write a literary novel you are entering a certain kind of ‘judgment space’ (one where many of the things you and I love are regarded as ‘silly’ to varying degrees). I know there’s a lot of people like me out there, people who for whatever reason find themselves stuck between judgment spaces. (As the saying goes, you can take the boy out of the country, but you can’t take the country out of the boy!) What I try to do in Light, Time, and Gravity, is put these warring pieces in narrative and theoretical motion. The point was to tell a kind of inverted ‘portrait of the artist as a young man’ tale, or Bildungsroman, to use the ten dollar term. What I wanted to show was the bullshit at the heart of so many intellectual bootstrapping tales you hear in academia and literary circles, how transcending one’s ‘benighted origins’ was simply a movement from a set of vulgar conceits to a more insidious set of sophisticated ones.

Values are judgments, so when you abandon one set for another, as happens to so many in university, you are in effect learning how to play a different ‘judgment game.’ The assumption, of course, is that the new game is better than the old, that the humanities, as people like Nussbaum argue, teach people how to think ‘critically,’ that it produces ‘citizens,’ that it somehow elevates individuals above the popular mire, and so preserves some essential kernel of true culture.

Bullshit. It teaches people how to rationalize (typically canonical) conclusions, not to think critically. Teaching people how to write essays is teaching them how to cook up reasons after the fact. This, given the world we live in, is an absolutely essential skill, but there’s nothing ‘critical’ about it. Rationalization is the primary obstacle to the possibility of critical thinking. My (entirely hypothetical) claim is that if you put an English professor in an MRI and pose a number of controversial cultural claims that they would access the problem-solving centres of their brains no more than would a Christian evangelical. (I think I’m actually a kind of proof: If the literary world were even remotely ‘self-critical,’ then you would think they would be discussing critiques such as these, rather than lace the blinders like the ‘cretinized masses’ they lampoon.)

Even worse, it stigmatizes ‘intellectualism,’ renders it the marker of an adversarial social identity. To be intellectual is to belong to a particular, ideologically entrenched out-group, one that generally assumes the cultural worst about ‘regular Joes’ like you. Brainwashed. Oppressed. Kissing the boots that kick us.

As if they were anything more than another boot. The primary social function of post-secondary literary studies, as far as I can tell, is to sift through the masses, identify the critically and creatively minded, then convince them to turn their back on their community. To make fun of popular culture rather than transform it. The sad fact is that the humanities evolved in near absolute ignorance of the pedagogical and social problems they pretend to address. Now, given their prodigious rationalizing skills, they cling to the model that secures their livelihood and prestige.

And I remain another lunatic in the institutional wilderness.

- In THE WHITE-LUCK WARRIOR we get some hints about the stakes that are being played for, the notion that the Consult want to reduce the population of Earwa to a specific decimal number which has Biblical significance. Was your intention here to draw a direct parallel between the story of Kellhus and the Great Ordeal and that Biblical source, or was it merely an easter egg and the correlation itself is not significant?

Is an ‘easter egg’ the same thing as a herring? If so, there’s a whole whap of them in the books.

- Many early readers of THE WHITE-LUCK WARRIOR have speculated over the meaning of "144,000." Considering there is a reference to that in the biblical book of Revelation, it does spark curiosity. However, what I'm more curious about is symbolism in the series. Are you consciously connecting "revealed truths" and prophecies with what is unfolding in your narrative?

In a sideways manner, definitely. Fantasy is about ‘blurring,’ taking a shared semantic palette and painting new things–new worlds. Tolkien took Northern European myth as his primary palette. I’m blurring scripture, pursuing the idea that epic fantasy is a kind of ‘scripture otherwise.’ So I employ a variety of strategies to spin a kind of scriptural tone, a certain diction, a certain kind of repetition, a certain moralistic attitude, and so on. Story-wise, I often draw content from the Bible, milking old religious associations to create something new.

Few things are more epic than the Holy Bible.

- After months of relative internet silence, you have elected to create your own blog. What prompted that decision?

I was told this was what contemporary writers have to do to keep their publishers happy nowadays. But for some reason I don’t think my blog makes anyone with a commercial stake in my work happy.

Having something to sell–like I do–makes honest communication bloody difficult. And I am always, always haunted by this. Yet I blunder on. I know that for many readers, no matter how often I spoof myself, no matter how often I reference my own foibles to condemn this or that social idiocy, I come across as a pretentious, arrogant blowhard. How could it be otherwise when I spend all my time telling everyone that they’re far less intelligent, far less rational, far less right, than they credit themselves? The endless qualifications don’t matter. The stupendous amount of research doesn’t matter. The automatic, instant assumption is that I must–at some level–consider myself the magical exception. Nothing makes people more defensive than impugning their intelligence.

Tweak someone’s pride and your wit becomes snark, your insight becomes pretense–the whole tone of everything you say is transformed. Once a brain is primed to find fault, there really is no stopping it, given the ambiguity of language and the world. I sometimes think the very premise of the Three Pound Brain makes it untenable.

This is why I fear the blog is actually doing real damage to my book sales. But what the hell can I do? Transform it into market friendly pap? I just don’t have it in me. Abandon it? I’m beginning to think this is the best solution.

I’m a critic. I’m a know-it-all. I’m a mincer and a tail-chaser. I can never quite play along–no matter what the game! All this makes me a hard sell when it comes to general audiences. The sad fact is that some authors detract from the viability of their work–they just do. Before my daughter (and the prospect of funding a post-secondary education) came along, I would have throttled forward, the torpedoes be damned. But nothing argues cowardice quite so fiercely as parenthood.

- How has your interaction with the fans and the critics colored your choices in characterization and plot? Has there been anything that you've changed because of that interaction?

Most critics are what you might call ‘extreme readers’: they tend to read a lot more than your typical fantasy fan. The paradox of reviewing is that critics are forced to offer up their assessments as typical when their training and sheer exposure to a genre almost guarantees a relatively idiosyncratic reading. So as interested as I am in what the critics say, I really don’t take much of what they say to creative heart. It’s workaday readers and the distribution of their responses that I’m primarily interested in.

I actually gave a paper on this at Aarhus University several months back, so it’s something I’ve pondered quite seriously. The argument I’ve been making ad nauseam for years now is that ‘Literature,’ whatever it is, is nothing essential. Literature is as literature does. Change the circumstances radically enough, and what once counted as Literature will cease doing literary things. And in the past couple decades I think we have witnessed a number of circumstantial game changers. First and foremost, there is market segmentation, the ever more specific and robust linking of various readers to various kinds of fiction. This transformation, I’ve been arguing, has rendered present day ‘literary fiction’ just another genre, with largely fixed audiences demanding the satisfaction of relatively fixed expectations.

The second great game-changer has got to be the Internet.

I go through these spasms of trolling the web, looking at message board responses to my work. I find it taxing at times, simply because my books seem to be so polarizing, but over the years I’ve developed a fair understanding, I think, of the ways my writing parses readers, blowing some away, and irritating others to distraction. Since I see fiction as a form of communication, an attempt to conjure worlds in the brains of others, I think this near instantaneous feedback is as invaluable as it is revolutionary.

It’s like watching the ripples your stones make when you plunk them in the pond. If you think Literature resides in the shape of the stones (the resemblance of your work to past forms), then it makes no difference if you throw them with your eyes opened or closed. If you think literature resides in the ripples (what you work does to actual readers), then you have to keep your eyes peeled, and prepare to be humbled time and again.

- In a Q&A you did five years ago, you brought up the issue of exploring sexism in the guise of what if religious tracts were correct about the "inferiority" of women. Despite this, you've received some flak for the lack of female characters that aren't variations of the "crone, whore, or saint." Has this affected your portrayals of some of the female characters?

When it comes to the misogyny charge my answer has been fairly consistent, I think. First, that I am a sexist, insofar as I think men are generally less competent than women across the majority of modern social contexts. I generally find women more reliable and trustworthy. If anything, misandry is my problem, not misogyny. Second, that people are inclined to mistake depiction for endorsement. Third, that those who decide my books are misogynistic cannot help but find evidence to confirm their view (just as people who decide my books are feminist (my intention) cannot help but find evidence confirming their view). Fourth, that I recognize the problem of the ‘Archie Bunker effect,’ that for many readers the feminist subtexts are simply too opaque to rescue the books from misogynistic misreadings.

And fifth, that the story is far from done, that my critics are passing judgment on fractions of the whole.

It would be entirely dishonest of me to suggest that I haven’t been influenced by the debate, but the fact remains that the story, the characters, and most importantly, the thematic arc, were around long before I realized how hindsight and confirmation bias would obscure my intentions. One of the recurring themes in the series has to do with the contextual vagaries of strength. I have always thought of Esmenet as being extraordinarily strong, given her oppressive circumstances. But her strength is a different strength than that of Mimara, whose strength is entirely different than that of Serwa.

The problem is that so many people think strength consists of agency and nothing more–that strength is simple. Even worse, most think they have far more agency than they in fact do. Everyone thinks they would do better than others who falter or fail in various moral situations. This is why, for instance, they overrate the value of confessions in trials: no one believes that they could be verbally cajoled and coerced into confessing to a crime they didn’t commit (when a frightening number can be). Or consider all those fast-food managers who, convinced that a sophisticated prank caller was a narcotics officer, found themselves talked into strip-searching, and in some cases, sexually assaulting, their employees.

Perceptions of authority make us do crazy things. It’s not just that nobody wants to be as weak as they are, we’re simply hardwired to believe otherwise to varying degrees (just another unpleasant human fact that we need to come to grips with as a society). As a result, many people have difficulty identifying with ‘weak characters.’ Why? Because they’re continually doing things they think they wouldn’t. A surfeit of ‘weak female characters’ they then consider a flag for misogyny. Add that to a brutally patriarchal setting, and we have a pretty compelling case that Bakker is a misogynist.

All they need do is keep reading after this point: a character will have a hundred thoughts, and they’ll pounce upon the one involving sex. That thought will have a hundred different possible interpretations, but they’ll crow about the one that confirms their criticism. The very semantic density of the works begins working against me. Competing interpretations are dismissed, particularly if they’re charitable. To preempt the possibility that I’m doing something more complicated, I get dragged through the mud in other ways. I become trite, derivative, preachy, and the list goes on.

Once people socially commit to this position, then its game over. Others challenge them (because the books really are more complicated) and suddenly making their case becomes a matter of in-group prestige. They become invested, to the point of repeating the same arguments over years. It really is remarkable. They end up sounding like, well, gay conservatives. People who act like fans in so many ways, devouring the books, discussing them, and yet spending all their air-time taking the piss out of them. Such is the need to be believed!

And the unfortunate fact is that they prime the expectations of other readers, bend the funhouse mirror in ways that tend to close the possibility of open, charitable readings–a mindset that I think the books genuinely reward. I have no doubt that sales have suffered, such is the power of labels. Books that interrogate misogyny, that ask genuinely hard questions about gender (as opposed to politically correct ones), become shunned as ‘misogynistic.’

Is this me ‘blaming the reader’? Fucking A it is. Books are not like shoes: the customer isn’t always right in the world of writing. But I’m only pointing out weaknesses that we all share, that screw with all of us all the time. Me. You. It’s just the way it works. Moral intuitions are tweaked, then the reasons come rushing in afterward. I know these reasons are convincing: for most people they’re identical to conviction. There just has to be something wrong with me or my books. It’s so obvious. And yet, when I tell friends of mine, male and female, that people ‘out there’ think I’m a male chauvinist, they laugh their asses off. People who actually know me think it’s preposterous.

This is getting really longwinded–such is the need to defend one’s honour, let alone sell books! Anyway, I was already committed to the story long before these controversies erupted. More than a few times I found myself writing material that I knew people would intentionally read against my intent, but like I said, I was already committed. I’ve resigned myself to the fact that a certain subset of readers will see flags instead of ciphers, and that this controversy will always dog the books. All I can hope is that the overall reputation of the series will survive and eventually overshadow this perplexing sideshow. For all the praise you hear about ‘risk taking,’ you still get punished for taking them. That’s what makes them risks in the first place!

The moral of the story? Be careful of what you ask for.

- There appear to be parallels between THE WHITE-LUCK WARRIOR and THE WARRIOR-PROPHET, in both name and the fact that huge armies face massive difficulties (logistical and otherwise) in traversing huge wastelands. Was this deliberate or a natural side-effect of them both being 'middle books' in their respective series?

It was always in the cards, simply because the story always involved two holy wars waged over great distances. War stories of the kind I’m trying to tell seem to possess a natural tripartite structure: assembly, transport, conflagration. Tailor-made for trilogies...

- In the past you've said that the final sequence of The Second Apocalypse cannot be named because it would be a massive spoiler. Will THE UNHOLY CONSULT - the final volume of The Aspect-Emperor sequence - reveal the name of the final sub-series? And if Kellhus is the Prince of Nothing and now is the Aspect-Emperor can we assume that the title of the final series will also refer to Kellhus?

So much will be revealed, in fact, that I can’t comment–at least not in a family-friendly interview such as this! Things. Get. Positively. Hardcore.

- You've said in the past that Cil-Aujas in THE JUDGING EYE was a nod of thanks to Tolkien and Moria. Similarly, was Cleric and Akka's adventures in Sauglish a nod at Erebor and Smaug from THE HOBBIT? Some have also mentioned McCarthy. Are there other literary touchstones in your books fans may or may not have perceived?

More than I can count. I don't have an original bone in my body. Derivations piled upon derivations. I'm kind of like calculus that way.

- In DON QUIXOTE there is a line, "History is the mother of truth." To what degree, if any, would the altered "memory is the mother of truth" apply to your novels, particularly DISCIPLE OF THE DOG and the scenes involving the Nonmen in your Earwä novels?

Beautiful aphorism, isn’t it? One thing I love about aphorisms is the way they can become a kind of conceptual haiku, how abstract claims, left to hang in isolation, seem to soak up profundity and possibility. Consider these alternatives to Quixote: History is the mother of power. Power is the mother of truth. Hunger is the mother of history. Knowledge is the mother of history. Each of these versions possess some whiff of truth: the concepts involved are so abstract, their meanings so overdetermined, that you seem to capture something in the mere act of shuffling them around. Each says something (apparently) crucial without in any way saying anything final.

History, Appetite, Knowledge and Power are of course four of the bigger thematic pillars of the series. The story literally bristles with them. With Achamian, history is indeed the mother of truth: the key to understanding the Second Apocalypse lies in comprehension of the First. With Kellhus (and the D nyain more generally) history is the mother of deception, another ‘darkness that comes before.’ In both cases, history is the frame, the ground of what happens. And the series has become somewhat notorious, I think, for the way histories are layered throughout.

With the Nonmen, history is not so much the frame as the object of appetite. They are way to explore what happens when history is piled too high, so high that the losses begin to crowd out the joys. Disciple of the Dog explores a similar theme, only for Disciple it’s the crowding that’s the problem more than what gets crowded out.

In both cases, history becomes the mother of insanity.

- Being as meticulous as you are, have you ever drawn a "world map" of the areas that are outside the ones already depicted?

I’m not sure ‘meticulous’ is a word that I have any right to. Any rigour in my worldbuilding is simply the product of having lived with (and in) Earwa for so long. I’ve actually resisted mapping out the entire globe over the years. Ideas for alternate civilizations seem to crop up like mushrooms in my imagination, and the temptation is to make good on them by giving them a ‘place.’

But way back, I wrote this paper on the difference between ancient and modern roads (in the context of a philosopher named Levinas). The signature conceptual difference, I argued, was the way modern roads enclose the globe, the way civilization, in a sense, never runs out for us the way it did for the ancients. At the time I decided the best way to remain true to the ancient headspace I was trying to conjure was to make sure all the roads in Earwa run out, to make the terra incognita in my world absolute.

But this isn’t to say that surprises haven’t been painted across the horizon.

- As the final volume in The Aspect-Emperor, will THE UNHOLY CONSULT also feature a massive encyclopedia about the setting, like The Thousandfold Thought?

I’ve already started working on the ‘Expanded and Revised’ Encyclopaedic Glossary, in fact, but more and more it’s looking as though The Unholy Consult will be larger than even The White-Luck Warrior. If so, I’m guessing that the Glossary will have to be published... gulp... separately.

- Speaking of THE UNHOLY CONSULT, what can you tell us about the final volume of The Aspect-Emperor?

Completing it will certainly be a tremendous relief, simply because it’ll allow me to finally talk about so many things I’ve kept bottled up for so many years. I’m not sure whether The Second Apocalypse will be anything more than a cult success, commercially speaking, but when you live with a story as long as I have, it becomes a kind of yardstick, something almost religious in its demands. I am very, very happy with how the tale has come along–thanks, in large part, to some important lessons I learned along the way. My brother and I used to pine and daydream about this back in our D&D days, so to see it rendered, every bit as epic as we hoped, and as profound and lyrically beautiful as I could make it... well, that’s just way, way cool.

It feels scriptural, in my imagination at least.

Now, at the top of the sixth inning, the bases are loaded and I need to hit the ball out of the park. So what I want to say is that The Unholy Consult is where most of the burning questions will be revealed. I write books that many people love to hate: my hope is that after this latest set of reveals, the series will have earned their grudging respect as something genuinely unique and daring.

- Will the final sequence still be a duology or do you think there is scope for it expanding to another trilogy?

I won’t know until I begin working on it in earnest.

Million Dollar Decorators premiers tonight!


Join me TONIGHT on Twitter #mddbravotv  ( http://tweetchat.com/room/mddbravotv ) to chat about this new series featuring the crazy lives and businesses of designers Kathryn Ireland, Mary McDonald, Martyn Lawrence Bullard, Nathan Turner and Jeffrey Allen Marks. I'll be interviewing each of the designers throughout the 8 week season, so stay tuned for that. Editor at Large has already done a series of interviews, which you can read here and here.

I've seen the first episode and it's fast paced and eye opening. The entire series looks like a hoot and I think professional designers will really be fascinated, appalled, jealous and sympathetic to the real world of high-budget and high-stakes decorating. And "civilian" viewers will likely be astonished by the dollars that can be spent on decorating. This isn't your mother's HGTV, that's for sure!

So, join me on Twitter, 10PM EST tonight and every Tuesday throughout the season to share your thoughts on the show, it will be fun! Twitter hashtag #mddbravotv

If you would like my help on your design project, I would love to chat with you! Please email me. Thanks!

 Subscribe to ::Surroundings::

Gilly Gets Private Down Under!




Smiles were anything but of short supply at GH's not-so-private shopping party! | (image source)
Check out the fantastic Gilly Hicks Girls Private Shopping Event-Chicago! video and Gilly Hicks Girl Private Shopping Event photos on Gilly Hicks' Facebook page!

We were all so distracted over the opening of Abercrombie & Fitch in Paris - the flagship is among the most amazing in the entire world! - that we completely overlooked the little party Gilly Hicks threw in honor of her gorgeous fans! Things got crazy fun in the Land of Down Undies on May 1st (between the hours of 6:30-8:30pm CST) as fanatics from all over came Chicago for the event: "We can from Iowa," confesses an enthusiatic gal surrounded by friends. Lined up and ready, these lovers-of-Gilly proceeded to storm the one-of-a-kind store in a passion of excitement as they looted the goodies within. Most notably, the fans got all worked up in a wave of intense sexy heat among the presence of the Gilly Guys. Seriously, the screams were amazing! The great Gilly Guys paraded about, shirtless and all-smiles, handing out high-fives and exclusive Gilly Hicks Girl tees. And even that was not enough: a photo with the guys was manditory to make the day even more memorable than it already was!

This was Gilly Hicks's first ever Private Shopping Event "for you & your mates," and it is completely awesome what Abercrombie & Fitch is willing to provide to its amazing fans. This promotional event is a wonderful tool to keep the enthusiam for Gilly Hicks pumping! Totally fun, the Company plans on keeping the party momentum going by hosting another event soon in your nearest GH store. Make sure to follow Gilly Hicks on Facebook to get notified directly from miss Down Undie herself...Spread the word to all your girls on what's all hot and cool about the Land of Down Undies, Gilly Hicks!!!

UPDATE (19 August 2011): Gilly Hicks kicked off the first days of Back-to-School 2011 by throwing a tour of Private Parties in the Land of Down Undies! By the time of this update, the only party left to go down hard and hot is at the London shop, mates! That's on August 25 London time! Check out more on the parties by reading our Gilly Kicks Off Back-to-School With the Hottest Parties in Town! post.

Five Trends to Watch at the 2011 Kitchen & Bath Industry Show (KBIS)

By Lori Dolnick

The Kitchen & Bath Industry Show in Las Vegas, NV was a leaner exhibition – a reflection of the economy and home building sales no doubt. But traffic and designer interest was brisk for the exhibitors present – hopefully a positive sign for the future. KBIS is one of my favorite shows. Homeowners really invest in their kitchens and KBIS is the place to see what’s new, what’s trending and where the kitchen of the future is going. Here are some of the trends I saw and hot new products coming out this year.

1.    Transitional or New Traditional
Transitional or New Traditional is here to stay - a real style in its own right. From TOTO’s new Vivian faucet



to Hardware Resources’ Lyn Design Bath Vanities in Chocolate – what’s old is new again.


Today’s Traditional offers cleaner lines, less ornamentation and a more updated, sophisticated feel.


2.    Personal Style
We’re not designing for resale value. We’re designing for ourselves – for the long haul.


Top Knobs launched their unique new Passport Collection at KBIS – inspired by global landmarks such as the Trevi Fountain, Victoria Falls, Sydney Opera House, Tower Bridge and the Great Wall of China. What could be more personal than decorating with a souvenir from somewhere special? It’s what we all do when we travel, but now you can get a free sample shipped to your home without going anywhere at all. Design meets destination.


Another example… someone at the show told me to visit the Scotsman Ice Systems booth because they love to chew ice. You can’t get more personal than that! Me – I like the big cubes in my water. But if someone needs them small and chewy – this would be the system for them. Personal taste is a trend that is hot right now.

3.    Personal Luxury


If KBIS is any indicator – toilets are the next hot new must-have gadget. INAX’s latest offering, for example, plays music, lights your way at night, heats the seat, offers a personal cleansing massage plus automatically opens and closes. Plasmacluster technology cleans the air with antibacterial ions. Never mind its advanced flushing technology, green features and sophisticated design. So when I was asked would I pay $4,800 for a luxury spa toilet, my answer was simple, “it shuts the seat?” Worth the price of admission for me!

My kids did ask if it knows to open for a boy or a girl. The INAX representative told me it opens the lid for girls. Sorry fellas, you’ll have to lift the seat on your own.


4.    Design Matters


From Michael Graves’ teapots to Poggenpohl’s Porsche kitchen, branded design partnerships are not new. Design and Designers matter to homeowners. And the elements do not have to be expensive to offer high performance or design. Dacor’s new Distinctive 36” cooktop was created in partnership with BMW Group Designworks USA and is a perfect example of an accessibly priced appliance that has name plate designer status attached.

5.    Green as a Greens Fee

OK, I’m a golfer. To me a “greens fee” means something you pay just to play. And in today’s marketplace, you need to be green to play. While it’s still not high on the consumer’s punch list, designers, architects and manufacturers recognize that they must be environmentally friendly. Products like LED lighting from Stone Lighting and


Samsung’s Radianz Quartz with recycled content, demonstrate that the building community has embraced green as a long-term necessity that won’t go away like gas rationing in the 70’s. Let’s applaud the design community for creatively leading us to be environmentally responsible instead of waiting for us to ask.


Lori Dolnick is a regular contributor to ::Surroundings::


See all Lori's posts here.


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Twitter

Over the last year or two, the most popular question thrown my way is: Why aren't you on Twitter?

So let me answer this one with a question of my own: Why should I be?

From what I've seen so far, it doesn't look as though I'm missing out on a whole lot. . . And where would all those detractors more comfortable bitching about me behind my back go!?! :P

Monday, May 30, 2011

Game of Thrones: Episode 8 Preview



More Arya and Jon! =)

Star Wars: Choices of One


It's been quite a while since I read a Star Wars book. More than six years, actually. After reading Matthew Stover's lackluster adaptation of the lackluster Revenge of the Sith, I was in no hurry to give another Star Wars book a shot.

But when the ARC for Timothy Zahn's Star Wars: Choices of One showed up in my mailbox, something about it piqued my curiosity. Zahn brought me back to Star Wars during my senior year of high school when Heir to the Empire was first released. And though I haven't read Zahn's Star Wars novels since Vision of the Future came out, I've always had a sweet spot in my heart for the author's work set in the Star Wars universe.

And since the story occurs between A New Hope and The Empire Strikes Back, I knew I could read and enjoy this one without having read the countless Star Wars offering that have flooded the market over the years.

Here's the blurb:

The fate of the Rebellion rests on Luke Skywalker’s next move.

But have the rebels entered a safe harbor or a death trap?

Eight months after the Battle of Yavin, the Rebellion is in desperate need of a new base. So when Governor Ferrouz of Candoras Sector proposes an alliance, offering the Rebels sanctuary in return for protection against the alien warlord Nuso Esva, Luke, Leia, Han, and Chewie are sent to evaluate the deal.

Mara Jade, the Emperor’s Hand, is also heading for Candoras, along with the five renegade stormtroopers known as the Hand of Judgment. Their mission: to punish Ferrouz’s treason and smash the Rebels for good.

But in this treacherous game of betrayals within betrayals, a wild card is waiting to be played
.

I've read a lot of Star Wars books over the years, yet I feel that no other author has ever been able to truly capture George Lucas' vision the way Timothy Zahn managed to do. A couple of pages into Choices of One, and I was immediately drawn back to my youth and enjoying every minute of it.

Though readers familiar with the Star Wars universe may get more out of this novel, fans of the movies will nonetheless be in for a pleasant reading experience. Sure, you might be unaware of the existence of Mara Jade and the renegade stormtroopers known as the Hand of Justice, but the story features enough familiarity to satisfy anyone. And it might even entice some to go back and read a few other Zahn Star Wars titles. I know that's the case with me. . .

Set a few months following the Battle of Yavin, although the action takes place in a number of unknown systems, readers both old and new to the Star Wars universe will feel comfortable with the various environments featured in Choices of One. The worldbuilding doesn't intrude on the tale and remains in the background. Zahn provides what information one needs to follow the story's progress, but little else is needed.

The characterization was my favorite aspect of the novel. Understandably, Zahn has it a bit easy, what with his working with beloved protagonists from both the films and the multitude of books set in Lucas' universe. An innocent and do-gooder Luke who remains a kind-hearted dumbass; Han and Leia, bent on antagonizing one another because they cannot come to terms with the fact that they are attracted to each other; Chewie, whose succint growls carry a lot of meaning; a younger Thrawn, rising star among Imperial officers; Mara Jade, the Emperor's Hand; LaRone and his stormtrooper crew. Put all these ingredients together and the recipe can't be anything but good. Yet add to that an array of secondary characters comprising a pleasantly surprising supporting cast, and you have yourself a nice Star Wars romp!

As fun and entertaining as Choices of One turned out to be at the beginning, it seemed to suffer from a decidedly linear plot which would be a bit predictable. But with a won-over crowd, who would care, right? Wrong. Timothy Zahn switches gears in the middle, unveiling a more convulated and hence more satisfying story arc which added another dimension to this book. Moreover, the ending sets the stage for The Empire Strikes Back.

Choices of One will not blow your mind. But if you are looking for a fun read featuring familiar faces you have grown to love; if you are looking to recapture the essence of what made you fall in love with the first movie trilogy in the first place; then Choice of One just might be the perfect summer read you've been craving!

The final verdict: 7.75/10

For more info about this title: Canada, USA, Europe

Peadar Ó Guilín contest winners!

Thanks to the generosity of Peadar Ó Guilín, our three winners will get an autographed set of the first two installments in The Bone World trilogy. The prize pack includes:

- The Inferior (Canada, USA, Europe)
- The Deserter (Europe)

The winners are:

- Jan-Fabian Humann, from Kaiserslautern, Germany

- Michel Nita, from Col. Roma, Del. Cuauhtemoc, Mexico

- Henri Rautanen, from Helsinki, Finland

Many thanks to all the participants! =)

Sunday, May 29, 2011

Excerpt from James S. A. Corey's LEVIATHAN WAKES


Thanks to Daniel Abraham and Ty Franck, here's an excerpt from James S. A. Corey's Leviathan Wakes. For more info about this title: Canada, USA, Europe.

Here's the blurb:

Welcome to the future. Humanity has colonized the solar system – Mars, the Moon, the Asteroid Belt and beyond – but the stars are still out of our reach.

Jim Holden is XO of an ice miner making runs from the rings of Saturn to the mining stations of the Belt. When he and his crew stumble upon a derelict ship, The Scopuli, they find themselves in possession of a secret they never wanted. A secret that someone is willing to kill for – and kill on a scale unfathomable to Jim and his crew. War is brewing in the system unless he can find out who left the ship and why.

Detective Miller is looking for a girl. One girl in a system of billions, but her parents have money and money talks. When the trail leads him to The Scopuli and rebel sympathizer, Holden, he realizes that this girl may be the key to everything.

Holden and Miller must thread the needle between the Earth government, the Outer Planet revolutionaries, and secretive corporations – and the odds are against them. But out in the Belt, the rules are different, and one small ship can change the fate of the universe
.

You can read another extract here.

Enjoy!

------------------------

Detective Miller sat back on the foam-core chair, smiling gentle encouragement while he scrambled to make sense of the girl's story.

“And then it was all pow! Room full up with bladeboys howling and humping shank,” the girl said, waving a hand. “Look like a dance number, ‘cept that Bomie's got this look he didn't know nothing never and ever amen. You know, que?”

Havelock, standing by the door, blinked twice. The squat man's face twitched impatience. It was why Havelock was never going to make senior detective. And why he sucked at poker.

Miller was very good at poker.

“I totally,” Miller said. His voice had taken on the twang of an inner level resident. He waved his hand in the same lazy arc the girl used. “Bomie, he didn't see. Forgotten arm.”

“Forgotten fucking arm, yeah,” the girl said as if Miller had spoken a line of gospel. Miller nodded, the girl nodded back like two birds doing a mating dance.

The rent hole was three cream-and-black-fleck painted rooms – bathroom, kitchen, living room. The struts of a pull-down sleeping loft in the living room had been broken and repaired so many times they didn't retract anymore. This near the center of Ceres' spin, that wasn't from gravity so much as mass in motion. The air smelled beery with old protein yeast and mushrooms. Local food, so whoever had bounced the girl hard enough to break her bed, they didn't pay enough for dinner. Or maybe they did, and the girl chose to spend it on heroin or malta or MCK.

Her business, either way.

“Follow que?” Miller asked.

“Bomie vacuate like losing air.” the girl said with a chuckle. “Bang-head hops, kennis tu?”

“Ken,” Miller said.

“Now, all new bladeboys. Overhead. I'm out.”

“And Bomie?”

The girl's eyes made a slow track up Miller, shoes to knees to his porkpie hat. Miller chuckled. He gave the chair a light push, sloping up to his feet in the low gravity.

“He shows, and I asked, que si?”

“Como no,” the girl said. Why not?

The tunnel outside was white where it wasn't grimy. Ten meters wide, and gently sloping up in both directions. The white LED lights didn't pretend to mimic sunlight. About half a kilometer down, someone had rammed into the wall so hard the native rock showed through, and it still hadn't been repaired. Maybe it wouldn't be. This was the deep dig, way up near the center of spin. Tourists never came here.

Havelock led the way to their cart, bouncing too high with every step. He didn't come up to the low gravity levels very often, and it made him awkward. Miller had lived on Ceres his whole life, and truth to tell, the Coriolis effect up this high could make him a little unsteady sometimes too.
“So,” Havelock said as he punched in their destination code, “did you have fun?”

“Don't know what you mean,” Miller said.

The electrical motors hummed to life, and the cart lurched forward into the tunnel, squishy foam tires faintly squeaking.

“Having your outworld conversation in front of the Earth guy?” Havelock said. “I couldn't follow even half of that.”

“That wasn't Belters keeping the Earth guy out,” Miller said. “That was poor folks keeping the educated guy out. And it was kind of fun, now you mention it.”

Havelock laughed. He could take being teased and keep on moving. It was what made him good at team sports; soccer, basketball, politics.

Miller wasn't much good at those.

Ceres, the port city of the belt and the outer planets, boasted 250 kilometers in diameter, tens of thousands of kilometers of tunnels in layer on layer on layer. Spinning it up to .3g had taken the best minds at Tycho Manufacturing half a generation, and they were still pretty smug about it. Now Ceres had over six million permanent residents, and as many as a thousand ships docking in any given day meant upping the actual population as high as seven.

Platinum, iron, and titanium from the belt. Water from Saturn, vegetables and beef from the big mirror-fed greenhouses on Ganymede and Europa, organics from Earth and Mars. Power cells from Io, Helium-3 from the refineries on Rhea and Iapetus. A river of wealth and power unrivaled in human history came through Ceres. Where there was commerce on that level, there was also crime. Where there was crime, there were security forces to keep it in check. Men like Miller and Havelock, whose business it was to track the electric carts up the wide ramps, feel the false gravity of spin fall away beneath them, and ask low-rent glitz whores about what happened the night Bomie Chatterjee stopped collecting protection money for the Golden Bough Society.

The primary station for Star Helix Security, police force and military garrison for the Ceres station, was on the third level from the asteroid's skin, two kilometers square and dug up into the rock so high Miller could walk from his desk up five station levels without ever leaving the offices. Havelock turned in the cart while Miller went to his cubicle, downloaded the recording of their interview with the girl, and reran it. He was halfway through when his partner lumbered up behind him.

“Learn anything?” Havelock asked.

“Not much,” Miller said. “Bomie got jumped by a bunch of unaffiliated local thugs. Sometimes a low-level guy like Bomie will hire people to pretend to attack him so he can heroically fight them off. Ups his reputation. That’s what she meant when she called it a dance number. The guys that went after him were that caliber, only instead of turning into a ninja badass, Bomie ran away and hasn't come back.”

“And now?”

“And now nothing,” Miller said. “That's what I don't get. Someone took out a Golden Bough purse boy, and there's no payback. I mean, okay, Bomie's a bottom feeder, but . . .”

“But once they start eating the little guys, there's less money coming up to the big guys,” Havelock said. “So why hasn't the Golden Bough meted out some gangster justice?”

“I don't like this,” Miller said.

Havelock laughed.

“Belters,” he said. “One thing goes weird and you think the whole ecosystem's crashing. If the Golden Bough's too weak to keep its claims, that's a good thing. They're the bad guys, remember?”

“Yeah, well,” Miller said. “Say what you will about organized crime, at least it's organized.”

Havelock sat on the small plastic chair beside Miller's desk and craned to watch the playback.

“Okay,” Havelock said. “What the hell is the 'forgotten arm?'”

“Boxing term,” Miller said. “It's the hit you didn't see coming.”

The computer chimed and Captain Shaddid's voice came from the speakers.

“Miller? Are you there?”

“Mmm,” Havelock said. “Bad omen.”

“What?” the captain asked, her voice sharp. She had never quite overcome her prejudice against Havelock's inner planet origins. Miller held a hand up to silence his partner.

“Here, Captain. What can I do for you?”

“Meet me in my office, please.”

“On my way,” he said.

Miller stood, and Havelock slid into his chair. They didn't speak. Both of them knew that Captain Shaddid would have called them in together if she'd wanted Havelock to be there. Another reason the man would never make senior detective. Miller left him alone with the playback, trying to parse the fine points of class and station, origin and race. Lifetime's work, that.

Captain Shaddid's office was decorated in a soft, feminine style. Real cloth tapestries hung from the walls, and the scent of coffee and cinnamon came from an insert in her air filter that cost about a tenth of what the real foodstuffs would have. She wore her uniform casually, her hair down around her shoulders in violation of corporate regulations. If Miller had ever been called upon to describe her, the phrase “deceptive coloration” would have figured in. She nodded to a chair, and he sat.

“What have you found?” she asked, but her gaze was on the wall behind him. This wasn't a pop quiz; she was just making conversation.

“Golden Bough's looking the same as Sohiro's crew and the Loca Greiga. Still on station, but . . . distracted, I guess I'd call it. They're letting little things slide. Fewer thugs on the ground, less enforcement. I've got half a dozen mid-level guys who've gone dark.”

He'd caught her attention.

“Killed?” she asked. “An OPA advance?”

An advance by the Outer Planets Alliance was the constant bogeyman of the Ceres security. Living in the tradition of Al Capone and Hamas, the IRA and the Red Martials, the OPA was beloved by the people it helped and feared by the ones who got in its way. Part social movement, part wannabe nation, and part terrorist network, it totally lacked an institutional conscience. Captain Shaddid might not like Havelock because he was from down a gravity well, but she’d work with him. The OPA would have put him in an airlock. People like Miller would only rate getting a bullet in the skull, and a nice plastic one at that. Nothing that might get shrapnel in the ductwork.

“I don't think so,” he said. “It doesn't smell like a war. It's . . . Honestly, sir, I don't know what the hell it is. The numbers are great. Protection's down, unlicensed gambling's down. Cooper and Hariri shut down the underage whorehouse up on six, and as far as anyone can tell it hasn't started up again. There's a little more action by independents, but that aside, it's all looking great. It just smells funny.”

She nodded, but her gaze was back on the wall. He'd lost her interest as quickly as he'd gotten it.

“Well, put it aside,” she said. “I have something. New contract. Just you. Not Havelock.”

Miller crossed his arms.

“New contract,” he said, slowly. “Meaning?”

“Meaning Star Helix Security has accepted a contract for services separate from the Ceres Security assignment, and in my role as site manager for the corporation, I'm assigning you to it.”

“I'm fired?” he said.

Captain Shaddid looked pained.

“It's additional duty,” she said. “You'll still have the Ceres assignments you have now. It's just that, in addition . . . Look, Miller, I think this is as shitty as you do. I'm not pulling you off station. I'm not taking you off the main contract. This is a favor someone down on Earth is doing for a shareholder.”

“We're doing favors for shareholders now?” Miller asked.

“You are, yes,” Captain Shaddid said. The softness was gone, the conciliatory tone was gone. Her eyes were dark as wet stone.

“Right, then,” Miller said. “I guess I am.”

Captain Shaddid held up her hand terminal. Miller fumbled at his side, pulled his own out, and accepted the narrow-beam transfer. Whatever this was, Shaddid was keeping it off the common network. A new file tree appeared on his readout labeled JMAO.

“It's a little lost daughter case,” Captain Shaddid said. “Ariadne and Jules-Pierre Mao.”

The names rang a bell. Miller pressed his fingertips onto the screen of his hand terminal.

“Mao-Kwikowski Mercantile?” he asked.

“The one.”

Miller whistled low.

Maokwik might not have been one of the top ten corporations in the belt, but it was certainly in the upper fifty. Originally, it had been a legal firm involved in the epic failure of the Venusian cloud cities. They’d used the money from that decades long lawsuit to diversify and expand, mostly into inter-planetary transport. Now the corporate station was independent; floating between the belt and the inner planets with the regal majesty of an ocean liner on ancient seas. The simple fact that Miller knew that much about them meant they had enough money to buy and sell men like him on open exchange.

He’d just been bought.

“They're Luna-based,” Captain Shaddid said. “All the rights and privileges of Earth citizenship. But they do a lot of shipping business out here.”

“And they misplaced a daughter?”

“Black sheep,” the captain said. “Went off to college, got involved with a group called the Far Horizons Foundation. Student activists.”

“OPA front,” Miller said.

“Associated,” Shaddid corrected him. Miller let it pass, but the flicker of curiosity passed through him. If the OPA attacked, he wondered which side Captain Shaddid would be on. “The family put it down to a phase. They've got two older children with controlling interest, so if Julie wanted to bounce around vacuum calling herself a freedom fighter, there was no real harm.”

“But now they want her found,” Miller said.

“They do.”

“What changed?”

“They didn't see fit to share that information.”

“Right.”

“Last records show she was employed on Tycho station, but maintained an apartment here. I've found her partition on the network and locked it down. The password is in your files.”

“Okay,” Miller said. “What's my contract?”

“Find Julie Mao, detain her, and ship her home.”

“A kidnap job, then,” he said.

“Yes.”

Miller looked down at his hand terminal, flicking the files open without particularly looking at them. A strange knot had tied itself in his guts. He'd been working Ceres security for sixteen years, and he hadn't started with many illusions in place. The joke was that Ceres didn't have laws, it had police. His hands weren't any cleaner than Captain Shaddid's. Sometimes people fell out airlocks. Sometimes evidence vanished from the lockers. It wasn't so much that that it was right or wrong, as that it was justified. You spend your life in a stone bubble with your food, your water, your air shipped in from places so distant you could barely find them in a telescope, and a certain moral flexibility was necessary. But he'd never had to take a kidnap job before.

“Problem, detective?” Captain Shaddid asked.

“No, sir,” he said. “I'll take care of it.”

“Don't spend too much time on it,” she said.

“Yes, sir. Anything else?”

Captain Shaddid's hard eyes softened like she was putting on a mask. She smiled.

“Everything going well with your partner?”

“Havelock's all right,” Miller said. “Having him around makes people like me better by contrast. That's nice.”

Her smile didn't change except to become a half a degree more genuine. Nothing like a little shared racism to build ties with the boss. Miller nodded respectfully and headed out.

* * *

His hole was on the eighth level off a residential tunnel a hundred meters wide with fifty meters of carefully cultivated green park running down the center. The main corridor’s vaulted ceiling was lit by recessed lights and painted a color of blue that Havelock assured him matched the Earth's summer sky. The idea of living on the surface of a planet, mass sucking at every bone and muscle and nothing but gravity to keep your air close sounded like a fast path to crazy. The blue was nice, though.

Other people followed Captain Shaddid's lead and perfumed their air. Not always coffee and cinnamon, of course. Havelock's hole smelled of baking bread. Others opted for floral scents or semipheromones. Candace, Miller’s now ex-wife, had preferred something called EarthLily that had always made him think of the waste recycling levels. These days, he left it at the vaguely astringent smell of the station itself. Recycled air that had passed through a million lungs. Water from the tap so clean it could be used for lab work, but it had been piss and shit and tears and blood and would be again. The circle of life on Ceres was so small you could see the curve. He liked it that way.

He poured a glass of moss whiskey, a native Ceres liquor made from engineered yeast, then took off his shoes and settled onto the foam bed. He could still see Candace’s disapproving scowl and hear her sigh. He shrugged apology to her memory and turned back to work.

Juliette Andromeda Mao. Not a name to conjure with. He read through her work history, her academic work. Talented pinnace pilot. There was a picture of her at eighteen in a tailored vac suit with the helmet off: pretty girl with a thin lunar citizen's frame and long black hair. She was grinning like the universe had given her a kiss. The linked text said she'd won first place in something called the Parrish/Dorn 500k. He searched briefly. Some kind of race only really rich people could afford to fly in. Her pinnace – the Razorback – had beaten the previous record and held it for two years.

Miller sipped his whiskey and wondered what had happened to a girl with enough wealth and power to own her own private ship that would bring her here. It was a long way from expensive space races to hogtied and sent home in a pod. Or maybe it wasn’t.

“Poor little rich girl,” Miller said to the screen. “Sucks to be you, I guess.”

He closed the files and drank quietly and seriously, staring at the blank ceiling above him. The chair where Candace used to sit and ask him about his day stood empty, but he could see her there anyway. Now that she wasn’t here to actually make him talk, it was easier to respect the impulse. She’d been lonely. He could see that now. In his imagination, she rolled her eyes.

An hour later, his blood warm with drink, he heated up a bowl of real rice and fake beans – yeast and fungus could mimic anything if you had enough whiskey first – opened the door of his hole, and ate dinner looking out at the traffic gently curving by. The second shift streamed into the tube stations and then out of them again. The kids who lived two holes down – a girl of eight and her brother of four – met their father with hugs, squeals, mutual accusations, and tears. The blue ceiling glowed in its reflected light, unchanging, static, reassuring. A sparrow fluttered down the tunnel, hovering in a way that Havelock assured him they couldn't on Earth. Miller threw it a fake bean.

He tried to think about the Mao girl, but in truth he didn't much care. Something was happening to the organized crime families of Ceres, and it made him jumpy as hell. This thing with Julie Mao?

It was a sideshow.

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