Wednesday, March 9, 2011

Patrick Rothfuss on top!

Don't know if it has been confirmed yet, but it appears that Patrick Rothfuss' The Wise Man's Fear will debut at number one on the New York Times bestseller list! How about that!?!

Congrats to Pat and everyone at Daw Books! =) Wonder what the detractors claiming that Betsy Wollheim made a huge mistake by letting Rothfuss take his own sweet time to complete his second manuscript will say about that???

For more info about this title: Canada, USA, Europe.

Tuesday, March 8, 2011

Can You Smell the Incense?

Mark Chagall windows, Cathedral of Reims, France depicting Abraham and Christ

Tonight, people all over the world are celebrating Mardi Gras (Fat Tuesday). For believers, this is the day to get "it" all out of our systems prior to the long and sober forty days of Lent that starts tomorrow. I've written before how much I love a church conversion and I thought pulling together a little showcase of some beautiful church conversions would be a nice way for me to kick off the Lenten season.

In London's Kensal Green, via AngloFiles

One thing is clear, living in a converted church certainly means getting used to large, wide open spaces. Space planning in order to bring the volume down to human scale is of the utmost importance.


Contemplation with bubbles? Yeah, I'd go there.

There is an interesting use of space in this Northumberland, England (via SwipeLife) conversion. The long table brings to mind a church school or rectory table. However, the master bed is placed shrine-like on the alter.

This is a pretty spectacular modern update of a classic form, located in the Netherlands, renovated by Zecc Architects,  The whitewashed wall highlights the vaulted ceilings and black iron and stained glass windows   Via Knstrct.

So, could you ever imagine living in a converted church? Would you feel like you're being "watched" and feel the need to speak in hushed tones? Or would the architectural interest rule the day?


I came across the following church restoration project in my research and just had to share. It's still a church, but I must say, the modern with the ancient combined with simplicity and splash really brings out the old school Catholic in me. This place truly "breaths" the Divine. Czech designer's Maxim Velcovsky and Jakub Berdych has redesigned the interior of St. Bartholemew's church in Chodovice in Eastern Bohemia. via Dezeen


Love the use of the Verner Panton chairs with the cross stamped out (rumor is that they voided their Vitra warranty by stamping out the crosses as it might have tampered with the structural integrity of the chair). I believe that this is a Catholic church (maybe Eastern Orthodox?) and it's a little surprising that there are no kneelers, so I assume that the cushions are for both sitting and kneeling on as needed.  The alter at the far end is a mix of modern Eames chairs in front of a high Baroque altar and Tabernacle.




What do you think of the ancient and mod mix?  Sacred or sacrilege?

If you would like my help on your design project, I would love to chat with you! Please email me. Thanks!

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The Ultimate Steven Erikson giveaway!


Okay, so you have all heard about Steven Erikson's epic The Malazan Book of the Fallen. Though many of you might be interested, you're not sure you want to invest in a ten-book fantasy saga? Well, I have a full set of Erikson's magnum opus up for grabs, compliments of the cool folks at Tor Books. Even better, they are also throwing in a copy of the omnibus containing the author's first three Malazan novella!

The prize pack includes:

- Gardens of the Moon (Canada, USA, Europe)
- Deadhouse Gates (Canada, USA, Europe)
- Memories of Ice (Canada, USA, Europe)
- House of Chains (Canada, USA, Europe)
- Midnight Tides (Canada, USA, Europe)
- The Bonehunters (Canada, USA, Europe)
- Reaper's Gale (Canada, USA, Europe)
- Toll the Hounds (Canada, USA, Europe)
- Dust of Dreams (Canada, USA, Europe)
- The Crippled God (Canada, USA, Europe)

- Bauchelain and Korbal Broach (Canada, USA, Europe)

The rules are the same as usual. You need to send an email at reviews@(no-spam)gryphonwood.net with the header "MALAZAN." Remember to remove the "no spam" thingy.

Second, your email must contain your full mailing address (that's snail mail!), otherwise your message will be deleted.

Lastly, multiple entries will disqualify whoever sends them. And please include your screen name and the message boards that you frequent using it, if you do hang out on a particular MB.

Good luck to all the participants!

Suing Over the Seagull

The iconic Hollister Co. seagull, renown the world over for its SoCal cool, is not to be messed with! | design by Abercrombie & Fitch Co.
There are many, many low key brands out there that are trying to emulate the success and iconic status that surrounds Hollister Co. And Abercrombie & Fitch is not going to allow these copy-cats to benefit from years of meticulous image development and global brand value. The Company has filed a lawsuit against Surf Style for trademark infringment. Surf Style, based in Florida, sold merchandise that carried the HCo seagull logo in its graphics designs. Take a look for yourselves here. Honestly, how idiotic can those people running that business be? Did they seriously think that they had come up with that seagull design purely from original brainstorming? No. It is quite obvious that they are aware of the Hollister brand because it's image dominates the surf-inspired clothing industry. Well, Surf Style is now in over its head. Abercrombie & Fitch had given it a cease-and desist order over another incident last year, and it apparently ignored. Now, that little Florida company had better get ready for a high-tide of legal issues it may well not fare well from.

Quote of the Day

I have found that there are two ways of dealing with men. Either you treat them with respect, or you kill them. Anything in between merely breeds resentment and the desire for revenge.

- PAUL KEARNEY, Corvus (Canada, USA, Europe)

About one hundred pages into this one, and so far it's excellent!

Monday, March 7, 2011

Exclusive extract from R. Scott Bakker's THE WHITE-LUCK WARRIOR



Thanks to R. Scott Bakker, here's an exclusive excerpt from his forthcoming The White-Luck Warrior. It's spoiler-free, so go ahead and read it for a taste of what is coming your way! For more info about this title: Canada, USA, Europe

Here's the blurb:

As Anasûrimbor Kellhus and his Great Ordeal march ever farther into the perilous wastes of the Ancient North, Esmenet finds herself at war with not only the Gods, but her own family as well. Achamian, meanwhile, leads his own ragtag expedition to the legendary ruins of Sauglish, and to a truth he can scarce survive, let alone comprehend. Into this tumult walks the White-Luck Warrior, assassin and messiah both, executing a mission as old as the World’s making …

The White-Luck Warrior is a story filled with heart-stopping action, devious treachery, grand passion and meticulous detail. It is both a classic quest tale and a high fantasy war story
.

Enjoy!
--------------------------

Dreams are only possessed upon waking, which is why men are so keen to heap words upon them after the fact. They engulf your horizons, pin your very frame to turbulent unreality. They are the hand that reaches behind the mountains, beyond the sky, beneath the deepest sockets of the earth. They are the ignorance that tyrannizes our every choice. Dreams are the darkness that only sleep can illuminate.

The old Wizard walked slots beneath mighty foundations. The stones, he knew, were among the oldest in the complex, part of the original structure raised by Carû-Ongonean, the third and perhaps the greatest of the Umeri God-Kings. Here... This was the place where the Nonmen of the famed Tutelage, the Siqû, had come to live among the Kûniüri. This was the place where the first Qûyan texts had been translated and stored, and where the first sorcerous School, the Sohonc, had been born.

Here... The famed Library of Sauglish.

Temple. Fortress. Granary of many things, wisdom and power foremost among them.

The walls seemed to close about him, so narrow was the way. Candles squatted in sconces along the walls. Whenever he neared one, it sparked to white life, while the one previous vanished into strings of smoke. Over and over, until it seemed there was but one flame leaping from wick to wick.

But the illumination was never quite enough. For every ten steps, five took him through absolute shadow, allowing him to see the layering of ancient Wards without the confusion of worldly sight. Ugly, the way all sorcery is ugly, and yet beautiful all the same, like the rigging of great ships, only ethereal–and as deadly as gallows. In the millennium since its construction, the Library–and the Sohonc–had never been conquered. The Cond Yoke. The Skettic invasions. No matter what the conquering nation, civilized or barbaric, they all sheathed their swords and came to terms. Whether perfumed and erudite like Osseoratha or unwashed and illiterate like Aulyanau the Conqueror, they all came to Sauglish bearing gifts instead of threats... They all knew.

This was the Library.

The corridor ended in blind walls. Holding tight the ornate map-case Celmomas had given him, the Grandmaster spoke the sorcerous words. Meaning flashed through his eyes and mouth, and he trod through monolithic stone. The Cant of Sideways Stepping.

Blinking, he found himself in the Upper Pausal, a narrow rostrum overlooking the Pausal proper, a dark antechamber long and deep enough to hold a war galley. Batteries of candles set below sparked to spontaneous life. Seswatha descended the right stair, map-case firmly in hand. Of all the innumerable rooms of the Library, only the Pausal could boast Nonmen artisanship, because only it had been hewn out of living rock. Twining figures adorned the walls, frieze stacked upon frieze, representations of the Tutelage and the first great peace between the High Norsirai and the False Men–as the Tusk called the Cûnuroi. But like so many who entered this room, Seswatha scarcely noticed them. And how could he when the stigmatic blemish of sorcery so assaulted his gaze?

It was always the same whenever one of the Few, those who could see the mark that the sorcerous cut into the natural, walked the Pausal. One thing and one thing only commanded their gaze... the Great Gate of Wheels. The portal that was a lock, and the lock that was a portal.

The entrance to the Coffers.

To mundane eyes it was a wonder of scale and machination. To arcane eyes it was nothing less than a miracle of interlocking deformities: enormous incantation wheels carved from milk-white marble, turning through a frame of bronze set with constellations of faces carved of black diorite, instilled animata–or proxies as they called them–enslaved souls, whose only purpose was to complete the circuit between watcher and watched that was the foundation of all reality, sorcerous or not. So hideous was the Mark of the thing, so metaphysically disfigured, that bile bubbled to the back of his throat whenever he found himself before it.

Qûya magic. Deeper than deep.

Seswatha paused on the stair, warred with his stomach. He looked down, and for some reason felt no surprise, no alarm, to see that the golden map-case had become an infant’s inert form. Blue and grey. Mottled with black bruising, as if it had perished while lying on its face. Slicked with the sweat of the dead.

Such is the madness of dreams that we can neglect the continuity of even the most basic things. An infant corpse, it seemed, had always been what he carried.

Achamian followed the grooves of the Dream thoughtful only of what had been thought, oblivious to the discrepancies. Only when he came to a halt beneath the arcane machinery of the Gate, only when he commanded the proxies to roll back the Gate, did he find himself skidding across unlived life...

Squirming. The dead baby was twisting and straining against his hands.

The Great Gate of Wheels rumbled to cracking life. At last the Archmage gazed down in horror.

Black eyes shining up with newborn bleariness. Fat-webbed arms reaching out, tiny fingers clutching.

Revulsion. Flailing panic. He cast the thing the way a boy might throw off at a spider or a snake, but it simply hung in the air before him, made a cradle of empty space. Behind it, the wheels of the Gate continued their groaning tumble.

“This,” Seswatha gasped, “is not what hap–!”

The last of the great bronze cogs had ceased their clacking. The Gate of Wheels was drawing open...

The infant had dropped from the air. A golden tube clattered where it had fallen. Beyond it, the ponderous bronze machinery of the Gate folded into blackness. A gust swept out across the antechamber.

Achamian stood immobile.

Wind roiled and twisted. His gown tugged at his limbs. A rumble shivered through the walls and lintels, deep, as if a tempest lashed some world inside the world. The Gate, which stood within the Library’s deepest heart, now opened onto the sky–not the Coffers, the sky! And he could see the Library, as though the Pausal hung from a great height above it. Bastions collapsing. Walls flying outward in strings of sand. And he could see it... the horror of horrors within billowing skirts of dust and debris, a mountain of black-spinning wind that linked wrecked earth to flickering clouds. Existence itself howled.

TELL ME... the Whirlwind said.

WHAT DO YOU SEE?

Game of Thrones: The Artisans



New clip featuring Paul Inglis, the supervising art director for Game of Thrones.

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